Back on cover art duties is Gary Paitin, visualizing the scope and energy of the record with a mind blowing original work. Revenge features Durham, North Carolina rapper Tennis Rodman, catapulting a potent mixture of frenetic lyricism and unrelenting swagger, and Minneapolis/Los Angeles-based beatsmith Shrimpnose, a member of Dome of Doom's roster and an innovator in forward thinking electronic music that's landed on labels like Friends of Friends, Brainfeeder, and Blue Note. The Revenge EP releases on limited cassette and DSPs worldwide October 15th and is preceded by the lead single on October 1st, "Wrapped In Flame." 7-tracks and 20-minutes, Revenge takes on the mantra of his recent works unflinching, ominous, amorphous, and carnivorous. Check it and stay checked in, 2015 is going to be a big year for this Bay Area bass fiend.After the sold out cassette release of the One Liners EP on Dome of Doom in July of 2020, Bleep Bloop is back with another stunning entry into his discography: the Revenge EP. The first one – a tripped out, face-melting repurpose of Pusha T’s earliest incarnation Clipse – is up right now. He’s also dripping out a steady flow of bootleg remixes via his socials. In the coming months expect a whole range of new material, including… A track entitle Yep on Smog City Volume 3 (released this week), remixes on Saturate, an EP on Robox Neotech and, later on in the year, more on Liquid Amber. Now it’s time to connect with Bleep Bloop with a pure music passion. It’s not about the ego or being a big DJ. Smartest move I’ve ever made! He’s very passionate and humble. Was scared to talk to him? Of course! I was super intimidated! But a friend was really pushy and forced me to do it. After the show my friends suggested I go and talk to him. Suddenly I hear this and think ‘hold on!’ When I realised it was me, it blew my mind. “I saw him play at this festival called Emissions. For an all-out, sense-popping experience, his exclusive-riddled Earmilk mix is well worth checking out. You can describe Bleep Bloop music as out of this world, too. I remember going to see Caspa playing all these dubplates. I’d been hearing the music on a shitty home system with a little sub and two monitors. “I couldn’t get into any clubs or bars to hear it! I remember my first rave, though Skream, Benga and Rusko. Yet at 23, most of that cooking was done when he could only dream of hearing the music in its most natural environment. He cites the likes of Wiley, Flowdan, The Bug, and Footsie as major inspirations, and just one quick blast on his 10,000 Watt Lazers EP will back up these references:Īngular, brutal and barbed with a bass tongue that tickles with both a west coast and UK twang, it’s the sound Bleep Bloop has been cooking since he was first baptised by bass all those years ago. We started digging all the classic guys – Coki, Benga, Skream, Caspa and shows by Mary Anne Hobbs and the Rinse crew.”įrom these early musical adventures he hit grime. A friend came back from Burning Man and was like ‘check this out! It’s called dubstep.’ No one had a clue what it was over here back then. But my first entry point into anything electronic was Coki, Benga and everyone making the dubstep way back around 2007. “Not just the UK but the whole of Europe. “Most of my favourite music comes from across the sea,” says Bleep Bloop, real name Aaron Triggs. Dig even deeper and you’ll find a vast range of free downloads.ĭig right down to the roots and you’ll get an impassioned story of a unique time in electronic music history: when dubstep first hit the US. Bay Area bass fiend Bleep Bloop hit the headlines recently as the first artist to be signed by DJ Shadow for his new Liquid Amber imprint.ĭig deeper and you’ll see he’s been around for more than a minute and that this landmark release follows a whole gamut of badness on labels such as Saturate and Robox Neotech.
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